Today, the king of cult himself, John Carpenter, turns 73. Join us in celebrating the life and work of one of the most recognisable and influential filmmakers in alternative Hollywood history
As all good things must come to an end, so must our time as Film & TV's Editorial team. With this change marching on, and the academic year coming to an end with a whisper, not a bang: we are reminiscing on some of film and television's saddest goodbyes and season closes
Seen everything worth watching on Netflix? Seen everything not worth watching on Amazon Prime? Unsurprisingly, there are actually a wealth of alternative streaming services to be found online, beyond the world of iPlayer, Netflix and Amazon
An unfortunate side effect from a filmmaker being acclaimed, successful, or iconic in a historical context can be that some of their lesser known or less universally popular work can fall under the radar
This is not a subtle film. But then, how could it ever be? From its very title, Greed (2019) lays out its intentions for all to see, and sets to work in taking us on a ride through the excesses, the follies, and the evil deeds of the super-rich; holding our hand every step of the way
Following acclaimed films such as Snowtown (2011) and Macbeth (2015), writer-director Justin Kuerzel draws up a brutal account of Australia’s most infamous outlaws to impressive effect.
If you haven't already heard, Parasite (2019) ate up the Oscars, winning four major statues: Best Picture, Best Director, Best International Film and Best Foreign Language Film.