Film and TV BFI Presents: White Noise is only an adaptation, but an adaptation well worth watching , and Jacob Rozenberg 13 October 2022
Film and TV BFI Presents: Close, a raw coming-of-age depiction of queerness and masculinity , and Tara Bell 13 October 2022
Film and TV Conversations with a Killer: The Jeffrey Dahmer Tapes approaches the events with sensitivity and authenticity , and Sienna Thompson 12 October 2022
Film and TV In conversation with Harry Richards, director of Santi, a British-Colombian short that is being adapted into a feature film , and Evelyn Heis 12 October 2022
Film and TV Luckiest Girl Alive is disturbing, flawed, and very misleading , and Nadia Ferraris 11 October 2022
Film and TV The Woman King showcases the black female power that the film industry desperately needs , and Chiyedza Zunzanyika 11 October 2022
Film and TV Amsterdam, though star-studded, fails to provide a dazzling picture , and Claire Meakins 9 October 2022
Film and TV The cinematic artistry of Monster: The Jeffrey Dahmer Story cannot compensate for its concerning morality , and Imogen Harbert 9 October 2022
Film and TV Can modern horror films truly scare their audience? , and Charlotte Phillips 9 October 2022
Film and TV Netflix's The Empress graces our screens, dripping with grandeur and elegance , and Milan Perera 5 October 2022
Film and TV Blonde exposes everything that is wrong with our disturbing obsession with Marilyn Monroe , and Molly Grogan 2 October 2022
Film and TV Bristol’s Film and TV production soars into the millions, with the highest figure recorded in a decade , and Evelyn Heis 28 September 2022
Film and TV Moonage Daydream is as brilliantly unconventional as Bowie himself , and Arron Kennon 27 September 2022