2022 Big Mouth Season 6 expands the universe with more full-frontal fun , and Ryan Grant-Khailani 9 November 2022
2022 My Policeman reminds us of the need for acceptance and tolerance , and Emily Robson 7 November 2022
Film and TV In conversation with award-winning Dutch director, Emma Branderhorst, whose Oscar-qualified short film Spotless breaks the stigma surrounding period poverty , and Evelyn Heis 2 November 2022
Film and TV The Good Nurse re-affirms America's deadly love affair with Big Pharma , and Kalila B Smith 1 November 2022
Film and TV All Quiet on the Western Front is a dark and powerful masterpiece , and Esia Forsyth 1 November 2022
Film and TV Should streaming platforms implement Content Warnings? | Claire Critiques , and Claire Meakins 1 November 2022
Film and TV Halloween Ends underwhelmingly brings the forty-year-long franchise to a close , and Anina Rudkin 31 October 2022
Film and TV The Horror film genre: satisfaction through discomfort... , and Barney Johnson 31 October 2022
Film and TV A Celebration of Black Female Excellence in the Film & TV Industry , and Molly Grogan 30 October 2022
Film and TV Piggy/Cerdita is a brutally savage critique of body-shaming, introducing a new take on body horror , and Rose Dorgan 29 October 2022
Film and TV Editor's Picks: Five films the Film & TV team want you to watch this Black History Month , and Epigram Film and TV 28 October 2022
Film and TV Wendell and Wild is sumptuous and carnivalesque, as wonderfully macabre as it is frenzied , and William Thompson 27 October 2022
Film and TV BFI Presents: The Banshees of Inisherin impressively explores the fragility of friendship , and Chris Leonard 25 October 2022
Film and TV BFI Presents: Palme D'Or Winner Triangle of Sadness, is Anything But Tragic , and Nina Vekua 21 October 2022
Film and TV BFI Presents: The Whale is Trapped in a Room, and So Are We , and Nina Vekua 21 October 2022
