Caitlin Danaher

ARTICLES BY Caitlin Danaher

Fleabag’s finale is the perfect example of how TV endings should work

Phoebe Waller-Bridge’s series makes brave choices not to simply please its audience, whereas other shows have made the mistake of trying to produce too happy an ending.
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The Rider tackles toxic masculinity of cowboys

Director Chloé Zhao cuts through the rugged masculinity of the gunslinging cowboy figure in her contemporary western, in which she explores the sensitive complexities of manhood.
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