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Spotlight | University of Bristol A Cappella Society: More than just music

Ed Wallace explores the University of Bristol's A Cappella Society, The Bristol Suspensions. From high-stake competitions to laid-back singing and community-focused events, the society has something for everyone.

By Ed Wallace, First Year, Politics and Social Policy

Nestled within the vibrant student community at the University of Bristol, the A Cappella Society is more than just a collection of singers – it’s a symphony of musical energy, bound together by harmonies, friendships, and an unshakable passion for performance. With eight groups offering everything from high-stakes competitions to laid-back, feel-good singing, this society thrives on the joy of making music, and even more so, on sharing it with the world.

In Epigram’s conversation with Lydia O’Boyle, the president of the A Cappella Society, she shared insight into the society’s dynamic growth and infectious enthusiasm. Whether you dream of dazzling audiences or simply want to belt out tunes with friends, there’s a place for everyone.

The society is home to three auditioned, competitive groups – Pitch Fight, Academy, and The Bristol Suspensions – who battle it out in the prestigious International Championship of Collegiate A Cappella (ICCA), the very competition that inspired Pitch Perfect. For those looking for something a little less intense but just as rewarding, an auditioned non-competitive group and four non-auditioned groups, including the beatboxing powerhouse, Brizzlebox, welcome singers of all abilities.The result? A melting pot of talent and enthusiasm, where no voice goes unheard. 

'There is something for everyone, whether you enjoy singing and want some low-commitment fun, or you can really throw yourself in and get involved with everything if you want to!’

The performance calendar is nothing short of thrilling. The annual Best of the South West (BOSW) showcase is a crescendo of sound and showmanship, featuring Bristol’s finest, alongside groups from Exeter, Cardiff, Royal Welsh, and Bath. With pyrotechnics, a full-scale production, and an audience that grows year after year (last year’s event sold 339 tickets), BOSW is fast becoming a legendary student-led spectacle. Lydia described it as ‘an incredible show to be a part of’, and it’s clear that each year it reaches new heights.

Beyond that, the society’s Christmas concert at the Victoria Methodist Church brings festive cheer to the masses, while the end-of-year showcase is a celebration of the group’s hard work. But it doesn’t stop there.

The competitive groups are constantly on the move, and on February 16th, they’re hitting the high notes in Exeter to prove their vocal prowess at the ICCA UK Quarterfinals. The Bristol Suspensions have already claimed international glory, winning first place at Italy’s Solevoci competition, while Academy and Pitch Fight have consistently shone in ICCA quarter-finals. With achievements like these, Bristol’s A Cappella scene is anything but amateur.

Yet, this society isn’t just about singing. It’s about building a community, and that means a thriving social scene where friendships are forged through everything from karaoke nights and bowling to film screenings and after-show parties. Inclusivity is key, with a mix of sober and non-sober events ensuring there’s something for everyone. And it’s not just about having fun – the society is deeply committed to giving back.

Before Christmas, three of its groups performed at Katherine’s House care home, bringing music and joy to its residents. Fundraising efforts are also in full swing, with proceeds from an Open Mic Night at Barrelhouse and a charity concert supporting Refuge, a charity aiding victims of domestic abuse. Sustainability is even on the agenda, with last year’s Sustainability Month introducing eco-friendly initiatives like the ‘Walk to Rehearsal’ scheme and a green merch programme. This year, even bigger and bolder plans are in the works.

But no great success comes without challenges. Lydia explained that while the society’s rapid growth is fantastic, it has made scheduling a logistical headache, especially with different groups rehearsing on different nights and the university’s academic calendar shifting. The loss of key rehearsal spaces has added another layer of difficulty, but the committee remains determined, working closely with the Students’ Union to ensure the music never stops.

Looking ahead, the A Cappella Society has its sights set on even bigger and better things. More performances, new collaborations with societies and external organisations, and the continued expansion of its already thriving community – there’s no limit to where these voices can go. And for anyone considering joining, Lydia has one simple message: ‘Just do it!’

‘Joining A Cappella Society was genuinely the best thing I’ve done in my time at uni,’ she says. ‘It has given me so many amazing opportunities and friendships! There is something for everyone, whether you enjoy singing and want some low-commitment fun, or you can really throw yourself in and get involved with everything if you want to!’

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For those ready to dive in, the society’s non-auditioned groups are open to all, with rehearsals happening weekly. Brizzlebox meets on Mondays at 7 pm in Odlum, Tone Rangers (for lower-range voices) follow from 8 to 10 pm, while Bristones (mixed voices) rehearse on Tuesdays from 6 to 8 pm in Stephenson, with Top Note (upper voices) taking over from 8 to 10 pm. And for those with a competitive edge, auditions for the top-tier groups happen at the start of the academic year.

Whether you’re looking for a fun way to de-stress, a chance to perform on a big stage, or just an excuse to sing your heart out, the A Cappella Society is the place to be. With passion, ambition, and a whole lot of harmony, this isn’t just a student group – it’s a chance to create lifelong friendships and unforgettable melodies. The only question is, are you ready to sing along?

Featured Image: Epigram / Ilona Hoffman


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