Review/ FKA Twigs: Cellophane
By Bethany Marris, Online Music Editor
FKA Twigs releases first solo track since 2016, 'Cellophane'.
In May 2018 FKA Twigs announced that she had undergone laparoscopic surgery to remove 6 fibroid tumours. Tumours the size of ‘cooking apples’ and ‘kiwis’ that had caused her excruciating pain daily. To most, Twigs is defined by her unique sound, with tracks such as ‘Two Weeks’ and ‘Pendulum’ characterised by distorted, atmospheric vocals and audacious electronic production. However, the artist’s involvement with the UK music scene began as she moved to London to pursue a career as a backing dancer for the likes of Plan B, Ed Sheeran and Dionne Bromfield at the age of 17. For any dancer; the body is an invaluable tool of expression. The capacity to contort, glide and stretch with utter control is intrinsic to the art, and any threat to physical wellbeing could be career threatening.
As Beyonce notes in acclaimed Live Album 'Homecoming', performing is about infusing your movement with feeling, 'it's your own personality that brings it to life, and that's hard when you don't feel like yourself'.
View this post on InstagramA post shared by FKA twigs (@fkatwigs) on
This week, FKA Twigs released her first track since 2016, ‘Cellophane’. In a simple yet passionately executed articulation of vulnerability, we hear the artist’s voice in its most authentic form. Moreover, the track’s accompanying video, produced in collaboration with Andrew Thomas Huang, exhibits Twigs commanding the pole with power and grace; a talent of which her Instagram leads us to believe has been refined post-surgery. With luxurious, introspective lyricism and exquisite choreography, Twigs marks her comeback through an awe-inspiring statement of emotional and physical strength.
Featured Image: FKA Twigs / Cellophane
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